Branding the man: why men are the next frontier in fashion retail

Men Lured By The Luxury of Time

March 23, 2011

A rare Patek Philippe Calatrava which recently sold at auction for a record $7.5 Million

Ask arbiter of style Clinton Paul to choose his favorite watch and he’ll be hard pressed to tell you which one is put into service the most. Maybe that’s because he has so many of them.

Elizabeth Taylor may have her diamonds but Paul’s passion is the precision and craftsmanship of beautiful timepieces. Even men who haven’t tasted quite as much of the good life as Paul are quietly hoarding a modest stash of watches.

“In my mind, each watch brings something to the party,” says Paul. “Every watch was bought to fill a perceived niche such as early Rolexes and vintage watches to wear with Ralph Lauren tweeds, or a simple IWC pilot’s watch to wear with tattered oxford button downs and over-sized khaki pants and worn cordovan penny loafers.”

A Breguet Classique Grand Complication in 18k gold with two independent tourbillons. It retails for approximately $347.900 USD.

Collecting watches is not unlike collecting luxury cars, and in some cases the prices aren’t much different. Like a handmade automobile, a rare and limited timepiece entails complex design, precious materials, and the kind of expert craftsmanship that is often passed down for generations among watchmakers. To own such a watch gives men the opportunity to speak of who he is and where he’s going.

“Definitely our high end watch client is a business man in the six figure income level with discretionary money to spend,” says Judy White, co-owner of Julianna’s Fine Jewelry in Corte Madera.

Sean Connery sporting a Rolex Submariner. Woman’s foot not included.

Of course we’re not talking about the not-so-humble Cartier Tank Française or that James Bond favorite, the Rolex Oyster Perpetual Date-Just. Think Vacheron Constantin, Breguet, or Patek Phillippe.

“Most people buying Patek Philippe are looking to buy the history, quality, and exclusivity,” says Diane Adams, a buyer for Shreve and Company. “It’s really about the execution of technology and art. When you think just how small a space it is, it’s pretty amazing.”

Those in the know don’t bother calling it a watch but rather, haut horlogerie, a rarified world of tourbillions and chronographs that sell for not thousands, but hundreds of thousands of dollars. At last January’s Salon Internationale de la Haute Horlogerie — the Geneva watch fair for you plebeians — there was a quiet optimism for the men’s market in particular, which has performed solidly despite the economic downturn.

Alain Huy, brand director for Zenith Watches North America, believes there is still work to be done. “The US market is still a young market and it needs still to be educated and trained. Most of the watch buyers are only familiar with only a few brands like Rolex or TAG Heuer.”

The limited-edition Christoph Colomb by Zenith sold out instantly.

Zenith has produced watch movements since 1865 and claims to be the first to produce a chronograph movement. It takes nine months to produce a Zenith chronograph, and just last fall, Zenith introduced the Christoph Colomb, a limited edition chronograph of twenty-five pieces in rose, white, and yellow gold retailing for $209,000. It sold out immediately.

“For collectors, it’s about the purity of a handmade timepiece that takes incredible skill to construct,” says Adams.

Richemont, the luxury group with the lion’s share of watch brands under its belt, reported a 33 percent increase in sales of luxury timepieces, and at a recent Christie’s auction, a very rare Patek Philippe sold for a record $5.7 Million.

With gold and silver prices on the rebound, an investment in a fine watch makes sense and promises a very stylish return on investment for 2011.

“The man who owns a classic, simple high quality watch in stainless or gold with a tasteful leather, alligator, or stainless band says to me that this is a guy whose values are honest and probably reflect his orientation towards things and materials that work well and that define his life,” says Paul.

That certainly could be said of Jean Yang, a solar energy entrepreneur who previously enjoyed the high life as retail director of Louis Vuitton stores in Korea.  He discovered the subtle luxury of a Swiss watch when he was only a teenager.

“My father offered me a very fine Swiss watch when I was in middle school and I found that it was a deeply cool accessory,” says Yang. “I was a bit of a fashion victim then — living in Paris didn’t help. For me, a watch is the only and ultimate jewel for men.”

Jean Yang says he still dreams of the ultimate watch to complete his collection.

That first Swiss watch only whetted his appetite for something even more exquisite and rare.  “My first pay-check went directly to a real luxury watch — a Breitling Old Navitimer,” says Yang. “It was a chronograph of course. It had a brown cow hide bracelet that I immediately upgraded to an alligator strap to make it even more luxurious and sporty.”

Like collectors of fine wines, watch collectors are generally a discreet bunch. The watch speaks for itself — if you’re able to catch a peek at it from under a man’s shirtsleeve. Like a fine sport scar, devil is in the details and only those who appreciate them can so willingly fork over a small fortune to purchase such a mechanical marvel.

As for Yang, with a modest nine watches in his collection, there is still one he is hoping will one day be his ultimate: “A Breguet, equipped with two tourbillions, one of the finest complication movement in the watch industry. But at $400,000 it is more expensive than a brand new Ferrari or a one-bedroom studio in Manhattan so that one will have to wait a bit before entering my collection!”

Read “The Triumph of Unnecessary Beauty” in the New York Times. Click Here.


In Conversation | Eric Jennings, Saks Fifth Avenue

March 20, 2011


I first met Eric Jennings, vice president and fashion director for men’s wear at Saks Fifth Avenue, when I emceed a personal appearance by designer Simon Spurr at the Saks Men’s Store in San Francisco. Eric is affable, charming, and has the uncanny ability to pinpoint what men are wanting, season to season.

A great fashion director sets the tone for the brand and is constantly taking the pulse of consumers. They listen carefully to insiders, designers, editors, and their own very shrewd instinct for what to wear.

For Eric Jennings, men’s wear is at a fascinating juncture as men push the boundaries of the everyday and discover that looking good is not only the best revenge, it makes you feel pretty damn good too.

BP:  Men’s wear has experienced a sudden uptick in sales. What do you attribute this to?

EJ:  Two things: the overall consumer confidence mixed with “frugal fatigue” and secondly, the absolute necessity for men to replace a  two year-old, neglected wardrobe!

BP: Do you think consumers overall are becoming more willing to pay full-price compared to this time last year?

EJ: In general men shop out of necessity. Now that they are feeling more secure economically, they’d much rather buy something when they need it rather than waiting for a sale.

BP: What do you think are going to be some of the top selling categories in men’s wear for fall?

EJ: Sweater jackets, especially the new marled and mélange chunky sweaters. Camel hair sportcoats, jackets and topcoats will be big as well as anything with toggle closures. For footwear the new variations on brogues will be strong.

BP: What is the single most important item for a man’s wardrobe — no matter what the season?

EJ: The sportcoat. Most men today do not need to wear a suit everyday to work so the sportcoat is the go-to item when dressing for business or leisure. And season-appropriate sportcoat fabrics are what will set a man apart and make him look distinguished in any setting.

BP: Who are the taste-makers you watch for where fashion is going? What is it about their style?

EJ: I love the street style fashion blogs like the Sartorialist and Jak and Jil. These sites really capture the subtle nuances of dressing that many people forget. And the images are captured on real people — not celebrities — which gives it that much more credibility.

BP: What is the most over-done look you see with most men?

EJ: I love plaids, but I’m quite tired of all the plaid shirts I’m seeing out there.

BP: What world cities tend to inspire you when it comes to how you dress?

EJ: Florence, Milan, Paris, London, and Manhattan; the cities in which I spend most of my time.

BP: If “Eric Jennings” was a brand, how would you describe it and what would be the sartorial signatures?

EJ: The “Eric Jennings” brand would feature slim fitting, classic clothing with a British twist, and would combine lots of different textures and interesting pops of color.  My sartorial signatures are knit ties, pocket squares and checks.

Follow Eric Jennings on Twitter. http://twitter.com/#!/ejny


In Conversation | Eric Jennings, Saks Fifth Avenue

March 20, 2011

I first met Eric Jennings, vice president and fashion director for men’s wear at Saks Fifth Avenue, when I emceed a personal appearance by designer Simon Spurr at the Saks Men’s Store in San Francisco. Eric is affable, charming, and has the uncanny ability to pinpoint what men are wanting, season to season.

A great fashion director sets the tone for the brand and is constantly taking the pulse of consumers. They listen carefully to insiders, designers, editors, and their own very shrewd instinct for what to wear.

For Eric Jennings, men’s wear is at a fascinating juncture as men push the boundaries of the everyday and discover that looking good is not only the best revenge, it makes you feel pretty damn good too.

BP:  Men’s wear has experienced a sudden uptick in sales. What do you attribute this to?

EJ:  Two things: the overall consumer confidence mixed with “frugal fatigue” and secondly, the absolute necessity for men to replace a  two year-old, neglected wardrobe!

BP: Do you think consumers overall are becoming more willing to pay full-price compared to this time last year?

EJ: In general men shop out of necessity. Now that they are feeling more secure economically, they’d much rather buy something when they need it rather than waiting for a sale.

BP: What do you think are going to be some of the top selling categories in men’s wear for fall?

EJ: Sweater jackets, especially the new marled and mélange chunky sweaters. Camel hair sportcoats, jackets and topcoats will be big as well as anything with toggle closures. For footwear the new variations on brogues will be strong.

BP: What is the single most important item for a man’s wardrobe — no matter what the season?

EJ: The sportcoat. Most men today do not need to wear a suit everyday to work so the sportcoat is the go-to item when dressing for business or leisure. And season-appropriate sportcoat fabrics are what will set a man apart and make him look distinguished in any setting.

BP: Who are the taste-makers you watch for where fashion is going? What is it about their style?

EJ: I love the street style fashion blogs like the Sartorialist and Jak and Jil. These sites really capture the subtle nuances of dressing that many people forget. And the images are captured on real people — not celebrities — which gives it that much more credibility.

BP: What is the most over-done look you see with most men?

EJ: I love plaids, but I’m quite tired of all the plaid shirts I’m seeing out there.

BP: What world cities tend to inspire you when it comes to how you dress?

EJ: Florence, Milan, Paris, London, and Manhattan; the cities in which I spend most of my time.

BP: If “Eric Jennings” was a brand, how would you describe it and what would be the sartorial signatures?

EJ: The “Eric Jennings” brand would feature slim fitting, classic clothing with a British twist, and would combine lots of different textures and interesting pops of color.  My sartorial signatures are knit ties, pocket squares and checks.

Follow Eric Jennings on Twitter. http://twitter.com/#!/ejny